It should be stressed that the MTRX system is not just about audio inputs and outputs. And if you’re mixing Dolby Atmos or other immersive audio format, the SPQ Speaker Processing Card can optimise your monitoring experience. You can mix and match up to six analogue I/O cards to support up to 48 analogue channels per MTRX interface, design an all-digital box with up to eight digital I/O cards (supporting up to 1,088 Dante channels or 1,216 MADI channels when maxed out with all available cards and modules), or configure it with any combination of analogue and digital I/O. If, having read and watched about these units you are interested in getting a quote to buy your own then we recommend you contact you nearest pro audio dealer who we are sure will be more than happy to help you.Īvid MTRX features eight pairs of AES/EBU I/O and 64 channels of MADI I/O as standard, but otherwise it comes empty for you to configure, enabling you to completely customise the audio interface with up to eight option cards for your unique music and/or audio post production workflow. The Bottom Line (At The Top)ĭue to the very nature and complexity of these systems we have not included any pricing information for any of the base rack units or option cards in this article. Some have their own “sound” but that sound is not going to disappoint you. I have used and recorded with many of them and they all sound amazing. However, take it from me, with any of the systems listed below, one thing you don’t have to worry about is audio quality. The downside to all this flexibility is an often eye-watering price tag. These units are far from what could be called off the shelf. We are looking at the ability to configure the I/O and connectivity to your needs in a bespoke unit, so in this case one size definitely does not fit all. Form factor however is not the defining factor here. In this article, we take a quick look at several of what could be the finest audio interfaces available today. Some of this I/O you may need but sometimes you may want something you can configure to your individual requirements. Modern audio interfaces are packed with features including volume controls for your main monitor speakers, headphone outputs and all manner of different I/O in many and varying digital and analogue formats. Its main job is to route audio and other signals like clock and MIDI into and out of your DAW software. The phase adjustments were excellent, particularly with the many microphones scattered around the stage.A fully featured audio interface is one of the most important components of the modern recording environment, be that a fully fledged studio or your spare bedroom. I find it more natural and I literally forgot all about it during the recording. I think that this unit is even more transparent than the AX24. It is silent in both senses of the term and operation is very easy. The AX32 and AX24 were connected via AES/EBU to a Pyramix digital audio workstation. Schoeps MK4 and MK4V microphones were connected to the AX24 to record the singers on stage. I used Schoeps MK2H, MK21 and Neumann KM184 microphones connected to the AX32 to record the orchestra and ambience. We controlled both units from one window with channels 1 to 8 from the AX24 and 9 to 24 from the AX32. The new control software was easily installed on my PC and automatically detected both our existing AX24 and the new AX32. It is the mobile unit one dreams of having, accommodating up to 32 channels in a 2 U chassis. "Michel Pierre from DAD’s distributor Areitec supplied the DAD AX32. "We needed 16 preamplifiers and converters in addition to our existing 8-channel DAD AX24," explains sound engineer Frank Guinfoleau. The 10 hour production took place over a total four days, performed by the Richard Wagner European Orchestra and the Opéra de Dijon Choir. Opéra de Dijon, one of the leading opera houses in France, has chosen an NTP Technology DAD AX32 ultra-high quality multi-channel microphone preamplifier and digital/analog/digital signal converter for use in recording Richard Wagner's The Ring of the Nibelung. "The team of the Opéra de Dijon are very satisfied with the result and congratulate DAD for this remarkable preamp/converter."
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